Statement

Archaeological Pop Art

My work breathes new life into symbols across time and cultures, reshaping them into narratives that challenge and expand our perception of the world. Rooted in my background in fashion, I reinterpret rich patterns, textile structures, and color interplay into a contemporary visual language where history, identity, and aesthetics converge.

I am drawn to symbols that transcend generations—some remain universal, while others subtly weave themselves into branding, luxury, and digital iconography. These forms carry echoes of ancestral traditions while continuously evolving—adapting, resurfacing, and embedding themselves into the fabric of contemporary culture. By layering shapes, textures, and vibrant hues, I transform ancient visual codes into bold, modern expressions, reinforcing their connection to the commercial and digital worlds that shape our daily lives.

Expanding on this exploration, my installations engage with physical space in ways that shift perception and challenge conventional boundaries. By integrating scale, light, and materiality, these immersive works invite the viewer to move through and experience symbols as dynamic, living entities—bridging the past with the present in real time. This approach strengthens my ongoing dialogue on how symbols are repurposed, commodified, and recontextualized in today’s visual economy.

My participation in the Art in Embassies program further highlights the international reach of my work, emphasizing the role of art as a vehicle for cross-cultural exchange. Through diplomatic spaces, my practice extends beyond the gallery, reinforcing the idea that symbols are not just remnants of the past but evolving markers of identity, communication, and power.

My work does not just reveal these connections; it redefines them, positioning symbols at the intersection of memory, commerce, and contemporary expression.